Wednesday, December 2, 2015

Art Stockings, an Art and Cultural Theory Digital Visiting Lecturer Series presents Natalie Peart and Montana Ray.

                           
December 4
th  4PM   The Craft Studio
                                         N12 Memorial Union

Natalie Peart  is co-founder, with poet Montana Ray, of the Brooklyn Ladies ("ladies" broadly defined) Text-based Salon, a four-year-old living room series. She reads a lot and writes less than she would like to. An excerpt of her story Sixty-One joined the Belladonna* chaplet series. She feels very lucky to be in a community of super quality humans and their bright and alive work. 
Montana Ray is a feminist poet, translator, and scholar. The author of 5 chapbooks and artist books, her first full length collection of poetry, (guns & butter), is available from Argos Books. She’s also a PhD student in comparative literature at Columbia University & the mom of Pokémon enthusiast, Amadeus.

Art Stockings, Dialogues on Art, Gender and Cultural Theory is a monthly digital lecture series curated by the Art Department and sponsored by the Chancellor’s Diversity Office.
                     
                                           This Event is Free and Open to the Public
                                                 http://artstockings.blogspot.com

Relevant Links!!
http://aishacousins.com/favorite-commissions/
http://www.tenderbuttonspress.com/pages/about 
http://bltsalonthebomb.tumblr.com
http://www.poetryproject.org/people/montana-ray/

Tuesday, November 10, 2015

Art Stockings, An Art and Cultural Digital Visiting Lecturer Series presents Andria Morales, November 12, 5:00PM, The Craft Studio, N12 Memorial Union.


Please join us at The Craft Studio this Thursday, November 12th 5:00PM, The Craft Studio, N12 Memorial Union for the first Art Stockings discussion with visiting artist Andria Morales. 

Art Stockings, Dialogues on Art, Gender and Cultural Theory is a monthly digital lecture series curated by the Art Department.

Readings selected by our Visiting Artist, Andria will be posted here and on our blog.  http://artstockings.blogspot.com

The Body and Technology 
Author(s): Amelia Jones, Geoffrey Batchen, Ken Gonzales-Day, Peggy Phelan, Christine Ross, Guillermo Gómez-Peña, Roberto Sifuentes, Matthew Finch Source: Art Journal, Vol. 60, No. 1 (Spring, 2001), pp. 20-3

The Story of the Eye
Author: Georges Bataille
1928
http://ps28.squat.net/bataille_story_of_eye.pdf
This piece of literature contains some themes and language that deal with sexual violence. We would like to offer a trigger warning to people who may be sensitive to this material

Andria Morales is a visual artist and member of the Internet-based duo Escobar-Morales. Her work explores identity through a variety of media and collaborative experiments. Her solo exhibitions include  The Resurrection of Hun-Nal-Ye, in collaboration with Maya Escobar, Bruno David Gallery, St. Louis, MO (2013),  Yo Soy Oro, in collaboration with Maya Escobar, Taller Puertorriqueno/ HACE, Philadelphia, PA (2014) and Public Play, Practice Gallery, Philadelphia, PA (2015). Morales’ awards include Lower Manhattan Cultural Council Workspace Residency, NYC (2013-14), NYU Steinhardt School Visiting Scholar (2013-14), 40th Street Artist-In-Residence Program, University of Pennsylvania, PA (2010-2011) and the Joan Mitchell Foundation M.F.A. Grant (2008). Publications include Art Info (2013), The Examiner (2011), and The Philadelphia Inquirer (2014, 2007). Morales received her M.F.A. from Tyler School of Art, Temple University and a B.A. from the University of Pennsylvania.

Taylor Ross, ARTIST TALK: Saturday, November 14th, 11:00AM, Fibers Studio.


Multimedia artist Taylor Ross utilizes found, all-natural fibers to create handmade clothing. She harvests materials like black walnuts, pokeweed, and velvetleaf stalks to create natural yarns. Collecting, spinning, and weaving these pieces offers a direct, physical, tactile, emotional, olfactory experience. 

Taylor's newest project will be featured at the 2016 festival as one of our art installations!

To give you a sneak preview, this Saturday Taylor will present a talk that examines the unique characteristics and histories of a number of local plants that can be processed into fiber. Through this lens, she will address how our clothing, the first architecture of the body, is anything but peripheral to our modern human habits of over-consumption through a convoluted global production system. 

The talk will both be practically informative as well as being a historical journey through our ancient relationship with string, into robes, ropes and sails, those things without which the world as we know it would not exist.

ARTIST TALK: Saturday, November 14th, 11:00AM

Fibers Studio, University of Missouri
902 S. College Avenue

Taylor will also be presenting two workshops that are open to the public (Sat, Nov 14, 2-4P and Sun, Nov 15, 2-4P) For more info and to sign up for either or both workshops, contact Camellia Cosgray, camellia@truefalse.org.


https://www.facebook.com/events/1708645692686755/

Tuesday, October 27, 2015

Maria Ogedengbe, hand-dyeing - billboards up in Kansas City, MO Crossroads through November 2015.



"Painting Contest:  MO real
Twin billboard images relate the story of a painting contest recorded in Socrates' day by Pliny the Elder:
A painting of grapes by one artist was so realistic that birds flew down and pecked at it. Then the first artist reached to draw back a drape covering the second artist's work... only to find that the drape itself was painted !  And so, the second artist was declared the winner.

The hand-dyed drape pictured makes a case for textile arts as a medium for painting."

http://www.mariaurora.net/2629068-mo-real-artboards

Link to Charlotte Street Foundation page:
http://www.charlottestreet.org/2015/08/new-missouri-bank-crossroads-artboards-by-charlie-mylie-maria-ogedengbe/

Featured artist page on the Pattern Observer:
https://patternobserver.com/2015/10/14/featured-artist-maria-ogedengbe/

Tuesday, October 20, 2015

Nathalie Miebach, Artist Lecture: Leadership Auditoruim/ MU Student Center- Thursday, November 5th at 5:00PM.


Nathalie Miebach

Visiting Artist Lecture & Workshops

Nathalie Miebach an artist translates scientific data from meteorology, oceanography, ecology and musical scores into three-dimensional sculptural forms employing traditional basketry techniques. 

Miebach is a TEDGlobal 2011 Fellow. Please find links to her TED talk: https://www.ted.com/talks/nathalie_miebach and personal website: http://nathaliemiebach.com

Artist Lecture: Leadership Auditoruim/ MU Student Center- Thursday Nov. 5 @5pm

Workshops: Bingham Commons Fiber Studio- Thursday Nov. 5 @11:00-1:30 & Friday 2-4:30pm

All events are free and open to the public.
For additional information contact: Mary Sandbothe at mmswf4@mail.missouri.edu
Sponsored by Fiber Arts Club and ORG 
This event is brought to you in part by Student Activity Fees.

CALL FOR PROPOSALS: 2016 Bonnaroo Call for Artists at Nashville International Airport, due November 15, 2015.

The Bonnaroo Works Fund in partnership with Arts at the Airport, are seeking proposals for 5 artistic Bonnaroo-themed displays at the Nashville International Airport in Nashville, Tennessee. The display, which will be suspended from the ceiling from March 14, 2016– January 22, 2017, encompasses 5 skylights located in the airport concourses on the secure side of the terminal. Each selected artist will receive an honorarium of $2,000. The ideal project will be of highest artistic quality (any media) and communicate the Bonnaroo brand to new and familiar audiences through incorporation of the following project elements:
  • Creative incorporation of iconic Bonnaroo festival elements.  Other examples of iconic elements include the Bonnaroo Arch, Fountain, Fire Tower with Cuckoo Clock, fan atmosphere and the Bonnaroo infinity symbol.  Please note the full Bonnaroo brand logo may not be included.
  • Display of 2015 location (Manchester, Tennessee)
  • Bonnaroovian Code: Prepare Thy Self, Play as a Team, Radiate Positivity, Respect The Farm, Don’t be that Guy/Gal, and Stay True Roo (see website for more info http://www.bonnaroo.com/festival-info#the-code)
About the Bonnaroo Music & Arts Festival®
Imagine a magical, peaceful city of 80,000 happy people that pops up out of a 700-acre Tennessee farm for a long weekend every June. Fill it with multiple stages jumping with 150+ acts playing music almost 24 hours a day for four straight days; including some of the greatest music legends there are and strong up-and-comers. In addition to music, Bonnaroo boasts a robust Comedy Theatre and The Cinema Tent with 24 hours a day of films that also features live appearances by very special guest filmmakers, actors, and more. There are visual arts, the Silent Disco, The Silent Auction, Planet Roo, the Fountain, the Arch and more. This is all just one part of what makes Bonnaroo, Bonnaroo.
The other part—the most important part—is the unique “Bonnaroo vibe.” Bonnaroovians form a true community, filled with discovery, generosity, spontaneity, social consciousness and genuine kindness. It changes people in a way that changes the world. Ziggy Marley put it best, “Bonnaroo is not an entertainment thing,” he said. “It’s a people thing.”


About Bonnaroo Works Fund
The Bonnaroo Works Fund, a 501c3 nonprofit organization, supports regional and national organizations with a mission of making communities healthy in areas of the arts, education, and environmental sustainability; with the goal of local reinvestment and asset building for the communities in which we live, work and play. BWF is administered by the Community Foundation of Middle Tennessee.
 
Project Description
Each artist will be applying to create a site-specific sculpture/kinetic mobile for one skylight that will be located on three different concourses throughout the Nashville International Airport. There are 5 skylights, 1 on Concourse A, 1 on B and 3 on C. Each application will be for one skylight. Artists will be assigned to a specific skylight after being selected to exhibit in the competition. The skylights have glass panels and are open to the exposed sky, UV protective glass is not installed and exposure to extreme sunlight is possible. There is a weight limit of 300 lbs. per sculpture, per skylight. See Exhibit A for specific dimensions of each of the skylights and locations of anchoring devices within the skylights. Toggle bolts secured in drywall can be added for additional anchoring materials.
 
Selection Criteria
  • All required application materials included in submission and received by submission deadline
  • Work selected on artistic merit as evidenced by submitted visual materials
  • Incorporation of project elements:
    • Creative incorporation of iconic Bonnaroo festival elements. Other examples of iconic elements include the Bonnaroo Arch, Fountain, Fire Tower with Cuckoo Clock, fan atmosphere and the Bonnaroo infinity symbol. Please note the full Bonnaroo brand logo may not be included.
    • Display of 2015 location (Manchester, Tennessee)
    • Bonnaroovian Code: Prepare Thy Self, Play as a Team, Radiate Positivity, Respect The Farm, Don’t be that Guy/Gal, and Stay True Roo
  • Artist or organization has proven track record of completing work on time
  • Maintainability: exhibit must be structurally sound and durable, and require no maintenance after installed
  • Public safety accounted for in all aspects of proposal (public will be walking underneath the exhibit)
     
 
 
Selection Committee
The Selection Committee is comprised of members from the Bonnaroo Team, Arts at the Airport Board of Directors, the Metropolitan Nashville Airport Authority’s Community Affairs division, Tennessee Arts Commission and the Nashville Convention and Visitors Corporation.
 Perks
Each selected artist will receive 2 free tickets to Bonnaroo 2016. Artists or organizations will be recognized on the Bonnaroo website (bonnaroo.com), social media, and in an email promoting the installation. Artist and installation will also be promoted through the Arts at the Airport social media channels and the Nashville International Airport website (flynashville.com).
 
Timeline
November 1, 2015 ……………………..…..…....     Application Deadline
December 14, 2015 ………………………….….      Selected Artist or Company Notified
February 22 – March 13, 2016 …………….……      Delivery and Installation
March 14, 2016 ……………………………….…     Exhibit Opens
January 22, 2017 …….………………......………     De-installation of Exhibit
 
Application Guidelines
Completed proposal submissions must include:
  1. Résumé of the artist or organization, not to exceed 2 pages
  2. One or two paragraph biography on artist or organization
  3. Photo or video examples of previous work (minimum 2, maximum 4)
  4. Visual representation of what the proposed skylight exhibit would look like:  A minimum of 4 images is required, maximum of 6 (photo, CAD, drawings, etc.). Video or other media may also be included, (minimum 0, maximum 2).
  5. Written site-specific proposal description  (maximum 3 pages)
    1. Brief artist statement about project – must describe how project elements would be incorporated and how the piece is connected to Bonnaroo.
    2. Must include: Dimensions of each piece, weight (not to exceed 300 lbs. per sculpture) and installation method. All media used must include explanation of exhibit resistance to UV light (treatment to fabrics, etc.). The skylights do NOT have protection from UV rays. Neither the Bonnaroo Works Fund nor Arts at the Airport will be responsible for UV or other damage to the exhibit.
    3. Project may NOT include: elements requiring electricity or maintenance after installation.
  6. Applications must be submitted electronically via www.callforentry.org. Hard copies of submissions will not be accepted. Selection of artists will be done by juried selection through callforentry.com (CaFÉ). No artist interviews or presentations will be allowed beyond the materials submitted through callforentry.com.
  7. Each artist or organization may submit no more than two applications.
  8. Artists who have previously been selected must wait one year to be eligible to apply again.
For Further Research and Information
Applicants can find more information about Nashville International Airport’s facilities and culture by visiting www.flynashville.com. For information about the Arts at the Airport program, visit: www.flynashville.com/arts-and-music. For questions specific to The Bonnaroo Music and Arts Festival®, see the Bonnaroo website: www.Bonnaroo.com, or contact info@bonnaroo.com.  For information on Bonnaroo Works Fund visit bonnarooworksfund.org.   Please review all the RFP guidelines carefully. Applicants who have a question after reviewing these instructions may contact the Arts at the Airport Curator at (615) 275-1614.

https://www.callforentry.org/festivals_unique_info.php?ID=2934&sortby=fair_name&apply=yes&utm_source=DEADLINE+EXTENED+to+11%2F15+-+Bonnaroo+Airport+Skylight+Project+2016&utm_campaign=Flying+Solo+Reception+-+December+2013&utm_medium=email

Tuesday, October 13, 2015

Caoimhghin Ó Fraithile, Fibers MFA 2000, had work featured at the Niigata Soil and Water Art Triennial, Niigata, Japan, summer 2015, supported by ‘Culture Ireland’.



Caoimhghin Ó Fraithile is an artist whose temporary works reflect the transient nature of the world, humanity and our place within nature. The works give us a chance to reflect upon our past and present. To interact with the works and leave with an experience which touches us and allows communities to interact with art and each other in a lasting manner.

The temporary quality of the works demands people’s appreciation and causes them to commit the works to more than mere memory. They are a whole community experience.

Tuesday, September 29, 2015

CALL FOR ENTRY: Gendered Perspectives: An Investigation into Contemporary Identities at the Hartmann Center Gallery, November 16 – December 10, 2015. Due October 1, 2015.


The Bradley University Women’s and Gender Studies Committee, in collaboration with
the Bradley University Galleries, will host the exhibition Gendered Perspectives: An
Investigation into Contemporary Identities at the Hartmann Center Gallery, November 16
– December 10, 2015. Artists whose work addresses issues of gender and identity are
asked to submit works. Works that explore the personal, political, environmental,
economic, and social aspects of gender are highly encouraged.

The goals of the exhibition include (1) bringing awareness to contemporary gender
issues; (2) creating a platform for discussion of gender, gendered spaces, and gender
dynamics; and (3) raise funds to support the programming and benefit the students of
Bradley University Women’s and Gender Studies.
Works from all mediums including, but not limited to, photography, painting, drawing,
printmaking, sculpture, ceramics, fiber arts, and video will be considered. Artists may
submit up to 5 works via email at genderedperspectives2015@gmail.com.

Submission Guidelines:
-Images and artist statements should be submitted in one email.
-Still images must be submitted in JPG format, at 72 dpi with 1280 dpi on the longest
side.
-Video submissions should include a link to a URL or Dropbox file
-Include numbered submissions in body of email to correspond to attached file along with
title, medium, size, and date
-All submission files should be labeled with the artist’s last name and number (Smith_1)
-An artist statement should be included in the body of the email (500 word max.)
-Student artists must submit image of student ID with the email submission
-Artists who submit video or multimedia work will be required to supply their own A/V
equipment
-All works must fit through a double door and weigh less than 75 lbs.
-Any works that require special hanging should be noted in the submission email
-Artists whose work require unusual or challenging installations must be able to travel to
Peoria for the installation
-Submission Deadline: October 1st at 11:59 p.m. central time zone
Entry Fees:
- Entry Fee for five (5)works - $25
- Student Entry Fee (for those enrolled during the Fall 2015 semester in undergraduate or
graduate programs) - $10

Payment
Payments can be made via check, money order, or credit card. Checks and money orders
should be made payable to Bradley University Galleries. Credit card payments accepted
by telephone at 309-677-2967.
Mail Entry Fees to:
Erin Buczynski
Director of Bradley Galleries
Bradley University
1501 W. Bradley Avenue
Peoria, IL 61625

Shipping and Work Drop-Off Guidelines
Artists are responsible for transporting their work to and from the gallery. All shipped
works must be packages in reusable materials (no Styrofoam peanuts) and include a
prepaid return shipping label. Works that do not arrive at the gallery with a return
shipping label will not be returned. Works will be insured during the exhibition but not
in transit. Artists are responsible for procuring insurance to cover work during shipping.
Artists who live in the greater Peoria region are invited to drop off their works between
8:30 a.m. – 4:30 p.m. to the Art Department office in the Heuser Art Center on November
9th, 10th, 11th, or 12th. Please note that the office is closed for lunch between 12-1 pm.

Jurors
Jess T. Dugan is an artist whose work explores issues of gender, sexuality, identity, and
community. She has been photographing within queer and trans* communities for the
past decade and is deeply committed to the transformative power of photographic
portraiture. Her work is regularly exhibited internationally and is in the permanent
collections of several major museums. Her first monograph, Every breath we drew, was
published in September 2015 by Daylight Books and coincided with a solo museum
exhibition at the Cornell Fine Arts Museum at Rollins College in Winter Park,
Florida. She is the recipient of a 2015 Pollock-Krasner Foundation Grant. Jess is
represented by the Catherine Edelman Gallery in Chicago, IL and Gallery Kayafas in
Boston, MA.

Margaret LeJeune is an image-maker, curator, and educator with an interest in issues of
constructed gender, sexism, power dynamics, and stereotypes. She earned her MFA in
Visual Studies from Visual Studies Workshop. Her work has been exhibited at The
Griffin Museum of Photography, The Center for Fine Art Photography, Newspace
Gallery, Workspace Gallery, Morean Arts Center, and the Cander Field Museum and at
numerous colleges and universities. LeJeune has served as juror for The Inland
Experience SPE Women's Caucus exhibition, The Peoria Art Guild's Fine Art Fair,
and Herstory at the Mercer Gallery in Rochester, NY. She currently serves as head of the
undergraduate and graduate photography programs at Bradley University.

Juror’s Talk and Opening Reception
An opening reception is scheduled for Thursday, November 19th from 6-8 p.m. at the
Hartmann Center Gallery. Jess T Dugan will give a juror’s talk at 6:30 p.m.. We invite
all artists to attend the event and celebrate this momentous exhibition.
Important Dates
Deadline for submissions: October 1st
Notification to artists: October 10th
Artwork delivered to Bradley University: November 9th - 12th
Exhibition Dates: November 16th – December 10th
Opening Reception: November 19th 6-8 p.m.
Return shipping and artwork pick up: beginning December 14th

For more information: http://www.bradley.edu/academic/departments/wms/news/story.dot?id=b9acddbf-3870-4881-9469-3aec75c4cbed

CALL FOR ENTRY: 1st Annual Excellence in Fibers Exhibition, Due October 1, 2015.


Excellence in Fibers
 is an innovative juried exhibition. Selected works will appear in the First Annual Excellence in Fibers catalog which will be presented to curators and directors of 50+ museums and galleries that feature fiber work and a select group of fiber and fine craft collectors. It also will be integrated into the special expanded issue of Fiber Art Now, a subscriber-supported publication that also is sold on over 400 Barnes & Noble newsstands in the US, 200+ Chapters Books in Canada, and select newsstands in the UK.

Important Dates

Submission form opens: July 1, 2015
Submission deadline: October 1, 2015
Notification: by October 15, 2015
Exhibition Catalog Release: December 10, 2015

Jurors

David Revere McFadden

Jane Sauer

John Hopper

Lena Vigna

Entry Requirements

  • Entries must be original work completed after January, 2012.
  • Artists must be 18 years of age or older.
  • Collaborative works will receive recognition as one entry.
  • Work of any size will be accepted. Please note that the impact of installation work is severely limited by the print medium.
  • Work must be original in concept and design and not be the result of a class or workshop.
  • All work must be either fiber in content or executed in a fiber technique.
  • Each artist may submit up to three artworks.

Submission of Digital Images

Submit one overall digital image and one detail digital image for each artwork.
Digital images must be saved as a high quality JPEG file (No TIFF files).
Finished images should be at least 3000 pixels on the longest side.

Catalog

Excellence in Fibers is a print exhibition. A full color catalog of the exhibition will be published within the winter, 2016 issue ofFiber Art Now magazine. It is essential that the image provided is of a quality that will reproduce accurately and meet the high standards of a professional art publication. Exhibiting artists will receive a complimentary copy. Catalogs will also be available for purchase.

Fees

Subscribers to Fiber Art Now magazine $30, Non-subscribers $40


For More Information

If you have any questions, please contact Submissions Fiber Art Now at submissions@fiberartnow.net. If you have technical questions about the on-line system, please contact Lisa Ellis at lisa@ellisquilts.com.

To Apply:

Monday, September 21, 2015

Tim Gunn will be speaking at Jesse Auditorium on September 24 at 7:30pm for the Delta Gamma Lectureship based on ethics and values.


Tim Gunn is the Emmy-winning co-host and mentor for Lifetime’s Project Runway. He worked as Chief Creative Officer at Liz Claiborne Inc, and was a member of the administration and faculty at Parsons School of Design for 29 years.

In August 2000, Gunn was appointed Chair of the Department of Fashion Design at Parsons, and under his direction, helped transform the institution into an indispensable leader in fashion design education in America.

In addition to his prominent role in the world of fashion, Gunn is a New York Times best-selling author.  He recently released his fourth book, Tim Gunn: The Natty Professor: A Master Class on Mentoring, Motivating and Making It Work!

Gunn’s speech will focus on imparting lessons from his personal experiences including mentorship, teaching, learning, bullying and diversity…and of course from behind the scenes at Project Runway!

Tickets are free for MU Students with a student ID, and $20 for the general public. Tickets are available at the MSA/GPC Box Office on Mizzou's campus. They are also available on Ticketmaster.

http://boxoffice.missouri.edu/event/tim-gunn/
http://deltagammalectureship.missouri.edu

Thursday, September 10, 2015

CALL FOR EXHIBITIONS: Textile Society of America’s 15th Biennial Symposium


CALL FOR EXHIBITIONS

Savannah, Georgia, October 19th – 23rd, 2016

Textile Society of America’s 15th Biennial Symposium

Organized in collaboration with Savannah College of Art and Design.

Timeline

Submission process opens: May 1, 2015

Abstract Submission Deadline October 1st, 2015

Notification of Acceptance to Presenters and 1st round exhibition proposals (via email): December 15, 2015

Deadline for presenters to submit need-based fee-waiver applications: January 7, 2016

Deadline for 2nd round exhibition proposals: February 12, 2016

Notification of Acceptance of 2nd round exhibition proposals: March 15, 2016

Deadline to Confirm Participation: March 15th, 2016

Registration Opens: May 16th, 2016

Deadline for Presenters to Register: June 15th, 2016

Apply here: https://textilesociety.submittable.com/submit/35107

Organizers (artists / curators) are encouraged to submit proposals for group exhibitions that focus on the theme, Crosscurrents: Land, Labor and the Port as outlined in the Call for Papers. Proposals may be for exhibitions of contemporary work, ethnographic, and/or historical textiles or a combination. Contemporary textile art is widely defined to include 2D, 3D, site-specific installation, video, and performance-based work. Indoor and outdoor exhibition spaces are available.

Eligibility is the same as for other submission categories. The exhibition organizers must be TSA members at the time of submission and proposals will be blind juried by a panel of peers. If accepted, it is understood that the organizer(s) will register and participate in the 2016 Symposium. Organizers are also encouraged to coordinate a panel discussion of exhibiting artists, academic papers, or a roundtable. Where appropriate, these sessions may be held in the space of the exhibition.

Submissions will be handled in two parts. First the organizer(s) submit a project description with images. Submissions that are selected will be sent details of the potential exhibition space including architectural plans. In the second phase, organizers will work to formalize the project through drawings/layout and expanded project proposal. The exhibition spaces vary in size and type of facilities available (i.e. height of ceilings, natural light, installation assistance, museum quality lighting and environmental controls).

To ensure safe handling of materials and quality of display, all formalized (2nd stage) project proposals must be approved by the exhibition committee in conjunction with the staff at the exhibiting location. The exhibition coordinator will act as a facilitator between organizer(s) and exhibition venues. Each venue will work with the exhibition organizer(s) to work out the details of a site specific contract and the insurance of artworks while on site (TSA will not provide shipping, insurance for art works, or artist fees).

TSA will provide a listing & map of all participating exhibitions and venues and will publicize the exhibitions.

Shipping of work will be at the expense of the artist and or organizers(s). Organizers proposing site- specific work and those requiring special handling are expected to be on-site for installation. Proposals requiring engineer documents must be handled by the submitting body and approved by the exhibition location. We encourage exhibition organizers to apply for outside funding to support installation, shipping, and artist participation. TSA offers financial assistance to Symposium attendees through a competitive fee-waiver application (details online). If additional opportunities for exhibition-related funds become available we will let exhibition organizers know.

http://textilesocietyofamerica.org/symposia-2016/

Academic Program Co-Chairs:

Jessica Smith, Professor of Fibers, Savannah College of Art and Design (jrsmith@scad.edu)

Susan Falls, Professor of Anthropology, Savannah College of Art and Design (sfalls@scad.edu)

Wednesday, September 9, 2015

Sheila Hicks, at the Contemporary Art Museum St. Louis. Always temporary. Always contemporary. September 11, 2015 - December 27, 2015.

Sheila Hicks, Voyage of Serpentina, 1985. Linen, silk, wool, and synthetic fibers, 19 pieces, approximately 34 x 54 inches each. Courtesy Saint Louis Art Museum.

Paris-based American artist Sheila Hicks has been creating hand-woven, abstract fiber-based installations and sculptures for nearly sixty years. From large-scale commissions to gallery exhibitions, her multifaceted practice traverses the spheres of commercial production and fine art and simultaneously references indigenous traditions from around the world. The artist plays with and builds on classical textile techniques—weaving, crocheting, dyeing, spinning—to develop her own experimental and idiosyncratic style, incorporating natural fibers, synthetic blends, and even everyday office supplies. Hicks’s tactile objects and installations of riotous color and breathtaking form expand fiber’s kinship to both painting and sculpture.

Featuring works from the 1960s to the present, this exhibition brings together major works from private collections and the Saint Louis Art Museum with recent examples of the artist’s ongoing series of small-scale portable weavings, or minimes. The works on view exemplify a number of formal leitmotifs that Hicks has returned to over the years. Modular arrangements recur throughout her practice, as in The Evolving Tapestry: Blue (1967–68), a collection of twenty-five woven units of fringed linen and silk and Voyage of Serpentina (1985), comprising nineteen stuffed and knotted silk tubes and brightly colored skeins of fiber. Her ongoing interest in the relationship between painting, sculpture, and textile media is explored in works like Masonry Panel (1981) and Forêt de Lin Wall Hanging (c. 1968, reconstructed 1983), a large-scale diptych of undyed, wet-spun linen tassels that cascades off the wall in a reinterpretation of bas-relief. Other works demonstrate Hicks’s playful adaptation of quotidian materials and interest in industrial design. The minime Ringlets (1993), for instance, is made of intertwined multicolored rubber bands and paper clips and also serves as a study for larger objects. Still other works incorporate elements of the natural world, including feathers and porcupine quills. Together, these works map a cross-section of Hicks’s practice over the last fifty years and exemplify her masterful and ongoing articulation of color, materiality, space, and scale.

Sheila Hicks (b. 1934, Hastings, Nebraska) lives and works in Paris. Recent solo exhibitions include Foray into Chromatic Zones at the Hayward Gallery, London (2015), and L'État du Ciel at the Palais de Tokyo, Paris (2014). The major survey Sheila Hicks: 50 Years debuted at the Addison Gallery of American Art in 2010 and traveled to the Institute of Contemporary Art, Philadelphia, and the Mint Museum, Charlotte, North Carolina in 2011. Hicks’s work has been widely exhibited in major group exhibitions including Threadlines, The Drawing Center, New York (2014); The Whitney Biennial, Whitney Museum of American Art, New York (2014); and Fiber: Sculpture 1969–Present at the Institute of Contemporary Art, Boston (traveling to the Wexner Center for the Arts, Columbus, Ohio, and the Des Moines Art Center, Des Moines, Iowa) (2014–15).Her work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art, both in New York City; Museum of Fine Arts Boston; The Art Institute of Chicago; Centre Georges Pompidou, Paris; Museo de Bellas Artes, Santiago, Chile; the Museums of Modern Art, Tokyo and Kyoto; and many others. Hicks is the recipient of numerous awards, including the Smithsonian Archives of American Art Medal (2010), Officier des Arts et des Lettres, France (1996), and an Honorary Doctorate from the Rhode Island School of Design.

Sheila Hicks is organized for the Contemporary Art Museum St. Louis by Kelly Shindler, Associate Curator.

This exhibition is presented in conjunction with Innovations in Textiles 10, a regional collaborative event celebrating fiber art.

Contemporary Art Museum St. Louis
3750 Washington Boulevard
St. Louis, MO 63108
(314) 535-4660
info@camstl.org
http://camstl.org/exhibitions/main-gallery/sheila-hicks/

Art Department Chair, Jo Stealey featured in Material Revival, at Edwardsville Arts Center.


September 11 to October 16, 2015
Opening Reception:  Friday, September 18, 6-8 pm

Artist talk on Sunday, October 4 between 3 and 5 pm.
The talk is part of Fiber East Self Guided Tour
which will also visit galleries in Alton, IL.

Artists:
Erin Cork Woolfolk
Sarah Gillespie
Jo Stealey
Laura Strand
Erin Vigneau Dimick
Pat Vivod - curator

Material Revival renews and celebrates a collaboration, begun 4 years ago for Innovations 9, between friends and colleagues who share a student/teacher/mentor relationship and who strive for a collective conversation that will take them out of their comfort zones to expand how they work conceptually, materially and how they think about their work. Erin Cork Woolfolk, Jo Stealey, Laura Strand, Erin Vigneau Dimick, and curator Pat Vivod are joined this year by new member Sarah Gillespie in the challenge to create inspired new bodies of work by integrating the shared materials from each other’s studios into their own work.


Material Revival is part of Innovations in Textiles 10.

Hours:
Wednesday – Friday, 10 AM – 4PM
Saturday, 11 AM – 3 PM
Sunday – Tuesday, Closed

6165 Center Grove Road
Edwardsville, IL 62025
*On the Campus of Edwardsville High School

Telephone: (618) 655-0337
Email: office@edwardsvilleartscenter.com

Monday, August 31, 2015

Join the MU Fiber Arts Club!


Please consider joining and MU Fiber Arts Club!
Our first meeting will be September 3rd at 5pm in the fibers studio.
There will be pizza and lots of fiber fun!
Welcome to the Fiber Arts Club!  We look forward to your involvement in the club.  Meetings are held in the MU Fiber Studio located on the second floor of Bingham Commons on the first Thursday of each month at 5 p.m.
We discuss new fiber projects. As well, we attend conferences to help further our knowledge regarding the art of fibers. Weaving, felting, paper making, and dying fabrics are all medias that we work with in this organization.
Mary Sandbothe
President of the Fibers Club

Thursday, August 27, 2015

New full-time Fibers faculty member, C. Pazia Mannella, has work in Extreme Fibers: Textile Icons and the New Edge, August 20 through November 1, 2015 at The Muskegon Museum of Art.

C. Pazia Mannella, Force, detail

Extreme Fibers: Textile Icons and the New Edge examines the state of fibers and textiles in the fine art world today. The exhibition has been developed by the Muskegon Museum of Art in coordination with Guest Curator Geary Jones of Grand Rapids, Michigan. The artworks on display reveal the diversity of the fine art textile and fiber movement, and its transformation into a multi-media and discipline-spanning phenomenon. Participating artists come from around the world, including an invited slate of 27 artists that are visionaries in the field: Luis Acosta, Kyoung Ae Cho, Kate Anderson, Ewa Bartosz-Mazus, Lia Cook, Thomas Cronenberg, Nancy Crow, Patricia Hickman, Jan Hopkins, Wolfgang Horn, Ferne Jacobs, David Johnson, Gerhardt Knodel, Gyöngy Laky, Maximo Laura, Tom Lundberg, Libby Mijanovich, Laura Foster Nicholson, Krystyna Sadej, Arturo Alonzo Sandoval, Chizu Sekiguchi, Sherri Smith, Ixchel Suarez, Yoshiko Wada, Dawn Walden, Carole Weller, and Bhakti Ziek.
A slate of artists selected from juried submissions received from countries around the world will join these masters. Narrowing from a field of over 300 entries, jurors Ferne Jacobs and Namita Gupta Wiggers selected 79 works from 51 artists for inclusion. These juried pieces join those by our invited artists for a showing of over 120 fiber and textile based artworks. One artist from the juried portion of the show will be selected by Ferne Jacobs and Namita Gupta Wiggers for the California Fibers Beyond the Boundaries Award. This award is sponsored by California Fibers and is given annually to a fiber artist for artistic innovation in subject matter, materials and/or technique in a national or international fiber exhibition. The winner will be announced at a later date
Viewers will find tapestries, quilts, weavings, sculpture, basketry, and a host of other forms on display, from functional works to fully abstracted shapes. This is a remarkable opportunity for West Michigan to see truly contemporary, international artwork by artists that defined and continue to transform a major art movement
One artist from the juried portion of the show will be selected by Ferne Jacobs and Namita Gupta Wiggers for the California Fibers Beyond the Boundaries Award. This award is sponsored by California Fibers and is given annually to a fiber artist for artistic innovation in subject matter, materials and/or technique in a national or international fiber exhibition. The winner will be announced at a later date.
Extreme Fibers will open at the Dennos Museum in Traverse City, Michigan, December 6, 2015 and run through March of 2016.
Underwritten by Bayer CropScience. Program support provided by the Michigan Council for the Arts with the National Endowment for the Arts.
http://www.muskegonartmuseum.org/exhibitions/

Wednesday, August 26, 2015

Speaking With Threads, Jane Sauer, Curator, August 28-October 25, 2015, Craft Alliance Center of Art + Design.

Mark Newport, Batman 712

Speaking With Threads
Jane Sauer, Curator
August 28-October 25, 2015

Opening Reception:
Friday, August 28, 6-8pm
Speaking With Threads
"Life on the Grid" by Mary Bero

Featured Artists:
Mary Bero, Sonya Clark, Kathy Halper, Cindy Hickok, Mark Newport, Carol Shinn, and Benji Whalen

Innovations in Textiles 10
Gallery Hop
Friday, October 2, 5:00-8:00 pm

Curator’s Talk in the Gallery
Saturday, October 3, 2:00 pm

Workshop
Finding the Magic in Disappearing Fabrics with Cindy Hickok
Friday, October 2, 10:00 am-4:00 pm

Poetry Reading
Stitching Verses in the gallery
Thursday, October 15, 6:30 pm
Presented by the St. Louis Poetry Center

This exhibition is presented in conjunction with Innovations in Textiles 10, a regional collaborative event celebrating fiber art.

Curatorial Statement
Jane Sauer

Speaking with Threads brings together the voices of 7 artists using linear elements of thread as a means of communication. Embroidery, a technique loosely connected to the technical practice of each artist in the exhibition, has been dated to the Warring States period (5th - 3rd century BC) in China. The process was originally used to tailor, patch, mend and reinforce cloth. This utilitarian approach led to the decorative possibilities of embellishing with stitches. The artists and craftspeople of the time developed new ways to turn, knot, loop, braid, and twist pliable linear threads to create decorative stitches.   Strangely, there have been no significant changes or advancements in the materials or techniques used in embroidery in the 2500 years since its invention. Rather, the changes that have taken place in the approach to stitchery or embroidery are seen in how it is used.

I selected these artists for their ability to use a simple and modest linear element to create a large statement. The artists I selected all have a distinguished and straightforward voice. I am fascinated by the end result from the accumulation of hundreds and perhaps thousands of small linear elements coming together, to make a powerful statement. Whether diminutive or large in scale, the pieces draw the viewer in to examine how each is constructed. Carol Shinn is a master with an ordinary sewing machine, using the threads as pencil strokes, building up layers of color, light, and shadow; an image emerges from a chaotic ground of tiny marks. Cindy Hickok also creates using the sewing machine, applying layer upon layer of strokes of thread until she has created a fabric of her own. Hickok’s wry sense of humor is what drives her narratives. Her art requires detective work to identify all the characters dancing across her backgrounds. Discovery is an important part of the impact of Hickok’s work.

Mark Newport is a master of many textile techniques. Knitting has been of prime interest to him in recent years. He uses stitches to create a strong graphic plane. Newport explores the supposed heroes of our culture, exposing their vulnerabilities as well as expressing their presumed power to protect. There is an uneasy dichotomy in the use of a female-oriented art form to create an ultra-masculine image. A level of anxiety is also created by the need for these super heroes to protect the innocent from the horrors of our society- the rapists, child molesters, robbers, and the bombs and hand guns which seem to be lurking behind every corner.

Mary Bero fearlessly breaks all the traditional rules of fiber art. She deftly combines embroidery, painting, and sculptural elements to create exuberant works of art. She is a virtuoso of color. Her images are loosely connected, as if part of a daydream or, at times a nightmare. The various elements in the picture plane come together through a succession of small marks, and build to a cohesive whole.

Kathy Walker questions the disappearing space between the public and the private. Her images are derived from material she finds on social media. She looks at the role technology plays in the lives of today’s adolescents, using a technique and material, embroidery, that is oppositional to the fast pace of the internet.

Benji Whalen’s heavily embroidered tattoos on stuffed arms clearly point to the cultural divide between generations and ethnic groups. He references current subcultures and lifestyles. His sculptures also raise the question of “what is art?” Does art have to be located on something that can be placed in a gallery or museum to be valid? Or can it be a part of your body? If art is a part of the owner, then is it personal and not public?  Can it be understood by the 60+ generation in this country?

Sonya Clark uses the symbols of race and identity to engage the viewer in a dialogue. She has an ongoing interest in the quality of black hair and its multi layered meaning. Hair in Clark’s repertoire is woven, stitched, twisted, and manipulated in unconventional ways, creating recognizable objects that become political statements upon closer examination.

It is my hope that this exhibit illuminates the overlap between art, craft, and popular culture.

http://www.craftalliance.org/exhibitions/delmar/speakingwiththreads15/speakingwiththreads.htm

Welcome Back Fibers!

Jo Stealey, Heirloom
C. Pazia Mannella, Force
The Fibers program is back in session for Fall 2015.

In addition to our new Blogger site we also are on Instagram.

https://instagram.com/mizzoufibers/

The hashtag we are using for the Fibers program is #fibersmu

Please follow us throughout the semester.

Professor Jo Stealey has moved from the Head of Fibers position to the Chair of the Art Department. For more information about Stealey please see: http://art.missouri.edu/full-time-faculty/jo-stealey

I am C. Pazia Mannella the new full-time faculty member in Fibers. For more information about me please see: http://art.missouri.edu/full-time-faculty/c-pazia-mannella


Sunday, July 12, 2015

Congratulations to Jennifer Bennett, Fibers Graduate Student for receiving a Surface Design Association 2015 Outstanding Student Award.


Jennifer Bennett, Fibers, Art Department, University of Missouri-Columbia, Columbia, Missouri, USA

Bitter Sweet 
Hand dyed cotton sheeting & cotton gauze, computer printed drawings, machine pieced & machine top stitched
Size: 38" x 42"

Instructor: Josephine Stealey

http://www.surfacedesign.org/outstanding-student-award-2015

Wednesday, July 1, 2015

Surface Design Association Craft + Concept Intensive 2015 Made/Aware: Socially Engaged Practices, October 8 - 11, 2015.



Are you interested in attending the SDA's first Craft + Concept Intensive 2015? Graduate students can apply for travel funds through the University (please see below for application information). 

Full-time student rate is $310 (including meals) if you register today, $350 after July 1. 

There is information about housing and the speakers. http://issuu.com/surfacedesignorg/docs/sda_madeaware_brochure_2_27_15?e=4975750/11649756

Fibers Professor Jo Stealey is teaching a 3-D Calisthenics workshop after the conference for the Master Workshop Weekend http://www.arrowmont.org/workshops-and-classes/master-weekend

Information about the Conference: Made/Aware, has found the perfect setting at Arrowmont School of Arts & Crafts. The intensive will offer participants meaningful interactions with accomplished artists and designers whose community art practices have global impact.
Featured presenters Mary Fisher, Charllotte Kwon, Rowland Ricketts III & Laura Sansone will activate ideas for socially engaged projects - from preserving indigenous natural dyeing processes to building craft collectives for African women dealing with AIDS to up-cycling used clothing into new designs to conceptualizing impactful community projects. They are committed to being the change they'd like to see. They'll be our guides as we contemplate our own visions for a better world and our facilitators as we use our own creativity to build awareness about issues of concern in our own communities.
Presentations, discussions and demonstrations will alternate with hands-on mini-lab experiences and interactive events. Ample time to network with other participants will help spark ideas for new projects, dynamic partnerships and creative collaboration.
http://www.surfacedesign.org/

Applying for University travel funds: These awards provide travel funds for graduate students, in good standing, who are presenting their MU funded research at professional meetings related to Mizzou Advantage areas. Up to $600.00 is available for domestic travel; up to $900.00 for international travel. Application to include: 1) Student prepared 1-2 page proposal (as outlined below) which includes a description of the ways in which they will engage in the conference; 2) A resume or CV; and 3) Letter of support from a faculty member, indicating how the travel experience will advance future career opportunities for the student.
http://mizzouadvantage.missouri.edu/opportunities/student-travel-awards-graduate-students/